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Notes on Feminisms is a series of essays commissioned by Feminist Art Coalition (FAC), where each writer has been asked to discuss an issue or issues relating to feminisms that she/he considers urgent.
Saidiya Hartman is professor of English and comparative literature at Columbia University. Her books include Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America (Oxford University Press, 1997), Lose Your Mother: A Journey along the Atlantic Slave Route (Farrar, Straus and Giroux, 2007), and Wayward Lives, Beautiful Experiments: Intimate Histories of Social Upheaval (W. W. Norton, 2019). In 2019 Hartman was named a MacArthur Fellow.
In ‘The Plot of Her Undoing’, Saidiya Hartman writes:
“The plot of her undoing begins with his dominion. It begins in the fifteenth century with a papal bull, with a philosopher at his desk, pen in hand, as he sorts the world into categories of genus and species. It begins with a bill of sale, with a story in the newspaper that enumerates her crimes, with a note appended to the file: she answers questions easily, but appears stupid; it begins with a wanted poster that reduces the history of her life to a single word – condemned.”
Weight | 0.1 kg |
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Author(s) | Saidiya Hartman |
Publisher(s) | Feminist Art Coalition (FAC) |
Year | 2020 |
Dimensions | 15 x 21 cm |
Pages | 12 |
Language(s) | English |
Cover | Softcover |